Hyperstellar's melancholic music wears the glow of half-drawn stars. Spirals fainting in the unknown, missives forever dissolved, opposite rays of light, dreamfears and numbers with nonsensical patterns.

 

Hyperstellar emerges as a liminal star -  a romantico-sinister figure dwelling in the sophisticated spaces between completion and void. His electronic frequencies carry the weight of Jewish heritage and Levantine melodies, filtered through European classical masters—from Wagner's tragedy, to Satie's minimalist irony—all transmuted into calculated imperfection.
 

Discovered by Detroit legend Gerald Donald for his mathematical precision in sound, their cryptic collaboration Daughter Produkt became a study in conceptual melancholy. From International Deejay Gigolo Records to Bordello a Parigi, his releases trace an elegant trajectory through electronic music's most discerning labels, while his compositions for Hans Zimmer's Bleeding Fingers Music and luxury houses—Dior, Moncler, Pomellato, Pucci, alongside icons like Naomi Campbell and Demi Moore—establish him as the composer of contemporary sophistication.
 

Hyperstellar crafts his "étoiles à demi-dessinées"—half-drawn stars that refuse the vulgarity of resolution. Each composition suspends time itself, creating beauty from the deliberate refusal to complete, where mathematical forms serve the most intimate emotional narratives.